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Thursday, October 10, 2013
Blood Drive
When: 8:00am - 4:30pm
Where: Seay Student Center
Contact: Emma Curry    Email:   Telephone: 479-979-1400
Psychology Club Meeting
When: 5:00 - 6:00pm
Where: Smith-Broyles 129
Contact: Karen Jones    Email:   Telephone: 479-979-1226
Ozarks Historians Meeting
When: 8:00 - 9:00 pm
Where: Robson 112
Contact: Steven Oatis    Email:   Telephone: 479-979-1338
Young Democrats Meeting
When: 7:00 pm
Where: Lounge/Bride's Room in Chapel
Contact: Stewart Dippel    Email:   Telephone: 479-979-1466
Kappa Delta Pi Meeting
When: 6:00 - 8:30pm
Where: Walker Hall 3rd Floor Media Room
Ozarks Historian Meeting
When: 8-9pm
Where: Robson Library 112
Contact: Steven Oatis    Email:   Telephone: 479-979-1338
Paddling Workshop
When: 7-10pm
Where: Seay Gym Pool
College Fair: Kansas City National College Fair
When: 5:00-8:00 p.m.
Where: Kansas City, MO
Contact: Emma Lee Morrow    Email:   Telephone: 479-979-1227
A representative of the University will be distributing information to prospective students.
College Fair: NACAC
Where: Kansas City, MO
Contact: Emma Lee Morrow    Email:   Telephone: 479-979-1227
A representative of the University will be distributing information to prospective students.
University Theatre: In the Next Room or The Vibrator Play *
When: 7:30 p.m.
Where: Seay Theatre, Walton Fine Arts Center
Contact: Bruce Brown    Email:   Telephone: 479-979-1336

In the Next Room or The Vibrator Play
By: Sarah Ruhl
Directed by Bruce B. Brown
October 10, 11, & 12** (October 12 Matinee Show Only – House opens at 2:30 pm Box office open at 2:00 pm)  
Walton Seay Theatre
Box Office Opens at 6:30 pm
House Opens at 7:00 p.m.
Ticket: General Admission $8.00
Students/Faculty/Staff receive one free ticket at the door (while tickets last) for personal use with their U of O identification.
Buy tickets online starting on September 15, 2013

(Content Advisory: Inspired by actual 1880s medical science, In the Next Room or The Vibrator Play comically explores loving connections between human beings, both emotional as well as physical.  The play echoes historical medical discussions of the human body and depicts the administration of ‘the vibrating treatment’ to fully-clothed patients, and contains brief nudity.  Children ages 12 and under will not be admitted without an accompanying parent or adult guardian. Children five years of age and under, including babes in arms will not be admitted.)

Nominated for three 2010 Tony Awards, including Best Play; Pulitzer Prize finalist, and winner of the 2010 Will Glickman Award for Best New Play!

In the Next Room or The Vibrator Play is a comedy about marriage, intimacy, and electricity.

The Story:
Set in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat 'hysterical' women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household.

In a seemingly perfect, well-to-do Victorian home, proper gentleman and scientist Dr. Givings has innocently invented an extraordinary new device for treating "hysteria" in women (and occasionally men): the vibrator. Adjacent to the doctor's laboratory, his young and energetic wife tries to tend to their newborn daughter—and wonders exactly what is going on in the next room. When a new "hysterical" patient and her husband bring a wet nurse and their own complicated relationship into the doctor's home, Dr. and Mrs. Givings must examine the nature of their own marriage, and what it truly means to love someone.

"Insightful, fresh and funny, the play is as rich in thought as it is in of the most gifted and adventurous American playwrights to emerge in recent years...In the Next Room is a true novelty: a sex comedy designed not for sniggering teenage boys — or grown men who wish they were still sniggering teenage boys — but for adults with open hearts and minds." - The New York Times

"A play that's smart, delicate and very, very funny!" - New York Post

"If Henrik Ibsen and Oscar Wilde had decided to collaborate on a post-modern drawing-room comedy, the hotsy-totsy twosome surely would have turned out something very much like Sarah Ruhl's genuinely hysterical new work" - TheatreMania

"The playwright mines her subject for suitably bawdy humor without resorting to vulgarity. But what really gives the work its distinction is its sensitive exploration of the physical and emotional repression suffered by the women of the era, which has yet to disappear entirely....The play beautifully balances its humor and pathos." - Hollywood Reporter

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